In February or March, I started playing with cyanotypes on fabric. Doing cyanotypes in winter in Minnesota is… not the easiest thing to do, but I was just experimenting, playing around.
![This image shows several cyanotypes being made. Flowers and plants are set on treated fabric and exposed to the sun.](https://www.amandashopa.com/wp-content/uploads/2022/12/PXL_20220618_172430795-2-1024x626.jpg)
Over a period of several months, I kept experimenting with different natural materials, different weather conditions, different exposure times. And then, somehow, my cyanotypes worked their way into my dissertation work.
![Exposed cyanotypes that haven't been developed provide a "negative" image.](https://www.amandashopa.com/wp-content/uploads/2022/12/PXL_20220618_173226561-1024x855.jpg)
That’s the way this whole arts-based researcher thing has gone. My creative practices become part of my academic work. This is awesome, because I can bring my creative self to my academic work. This is not awesome, because it can be hard to separate creative work from academic work.
![Goatsbeard flower (salsify) makes a very large, clear cyanotype print. The flower image is pink on a dark blue background.](https://www.amandashopa.com/wp-content/uploads/2022/12/PXL_20220618_201644547-1024x939.jpg)
I’m looking forward to this dissertation being done so I can make something without it being for my dissertation.