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What I’ve Learned from One Year of Consistent Darkroom Work
I consciously stepped away from art making for three months to recuperate. Three months turned into something much longer, and even when I felt ready, I had a difficult time returning to my studio practice. When I went to make my first postcard for the 209 Weeks project, I hadn’t been in the darkroom for…
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Showing Fire in Black and White
One of the reasons I love black-and-white photography is because of the decision making that comes into play; one of the frustrating things about black-and-white photography is the decision making that comes into play. Last year I visited Pacem in Terris during their bonfire weekend. Usually visits to Pacem are a very solitary event, but…
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Where Has All the 4 by 6 Paper Gone?
As I described in my previous post, there are a lot of moving parts to making a photographic postcard. I thought I had figured out my postcard plan for the 209 Weeks art project—resin coated 4 by 6 paper, RC-friendly mounting tissue, and cardstock that would easily take a rubber stamp. All I needed was…
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The Moving Parts of a Photography Project
Back in the 90s, I occasionally sent friends photo postcards. I used stick-on postcard backs, which make the photos a little stiffer and postcard like, or I just drew a vertical line down the back of a regular photo lab photo, addressed it, and threw a stamp on it. Now, thirty years later, I’ve come…
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372 Days
Today I got in my darkroom for the first time in over a year. I made a lot of dumb mistakes, and wasted a lot of paper, but today I got in my darkroom for the first time in over a year.